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Glossary of Audio, Video & Home Theater Terms

O

 

·         OAR (Original Aspect Ratio) - The aspect ratio in which the source material was originally produced.

·         Octave - The difference between two frequencies where one is twice the other.  For example, 200 Hz is an octave higher than 100 Hz. 400 Hz is one octave higher than 200 Hz.

·         Off-Axis - Any listening, viewing, measuring, or recording position that is not directly in front of the forward axis of a TV set, loudspeaker, or microphone.  

·         Ohm - A measure of how much something resists (impedes) the flow of electricity. Larger numbers mean more resistance.

·         OLED - OLED stands for Organic Light Emitting Diode.  OLED is an outgrowth of LCD technology that uses organic compounds to create images, without the need for extra backlighting.  As a result, OLED technology allows for very thin display screens that are much thinner than traditional LCD and Plasma screens.

·         Optical - Optical is used in Home Theater any time an electronic signal is converted to waves of light.  This is used in the optic pick up (laser) on a DVD or CD player.  It is also used for Toslink or optic cables to connect audio components together.

·         Optical Digital Cable - Fiber optic cable that transfers digital audio signals as light pulses.

·         Out of Phase - In electronics two cyclic motions are out of phase when they're not at the same part of their cycle at the same time.  Speakers are out of phase when they're hooked up incorrectly, one speaker has the polarity reversed in the speaker's connection to the amplifier.

·         Output - The sound level produced by a loudspeaker.

·         Overdamped - Pertaining to the audible effects of excessive woofer damping.

·         Overload - A condition in which a system is given too high of an input level.  A common cause of distortion or product failure.

·         Oversampling - Digital playback equipment such as DVD or CD players might oversample by increasing the sample frequency (the frequency from which it reads information from the disc) several times.  The desired outcome is better sound, a sort of false higher resolution from a 16bit sample.  This was a popular advertised feature years ago on CD players but has since fallen out of favor so you'll rarely see electronics exclaiming "oversampling" as a bonus feature. There is no empirical evidence the technique provides any better sound.

 

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